Hochschulnachrichten 2002 - Ausländische Hochschulen und Forschungsinstitute
Tschechische Republik
Slowakische Republik
Ungarn
Israel
Nordamerikanische Dissertationen
Zusammenstellung und Übersetzung der
folgenden Mitteilungen werden Dr. Beket Bukovinská, Prag, verdankt. Prof. Dr.
Michaela Marek, Leipzig, und Oksana Kozyr sahen Text und Übersetzung durch.
BRNO/ Brünn
Seminář dĕjin umĕní FF
Masarykovy univerzity (Kunsthistorisches Seminar der Masaryk-Universität)
Abgeschlossene Dissertationen
(Bei Prof. Kroupa): Aleš Filip: Sakrální
výtvarné umĕní doby secese na Moravĕ a ve Slezsku (Die sakrale Kunst der Sezession in Mähren
und Schlesien).
Abgeschlossene Magisterarbeiten
(Bei Doz. Bartlová) Renata Novotná: Středovĕké
kamenné kaditelnice na území jižní a jihozápadní Moravy (Die mittelalterlichen steinernen Weihrauchkessel in Süd- und
Südwestmähren).
(Bei Prof. Kroupa) Veronika Kindlová:
Urbanistický vývoj Teplic v 19. století (Die
urbanistische Entwicklung von Teplitz im 19. Jh.). — Jindřich
Nusek: Mezi vĕdou a umĕním. Česká vĕdecká ilustrace 2. poloviny
20. Století (Zwischen Wissenschaft
und Kunst. Die tschechische wissenschaftliche Illustration in der 2. Hälfte des
20. Jh. s). — Viktor Prudík: Architektura výstavištĕ na výstavĕ
soudobé kultury 1928 v Brnĕ (Die
Ausstellungsarchitektur auf der Ausstellung zeitgenössischer Kultur von 1928
in Brünn) — Martina Straková: Architektonické dílo Bohumíra Čermáka
1882-1961 (Bohumír Čermák. Das
architektonische Werk). — Kateřina Lormanová: Antonio Porta na Vysokém
Chlumci. Nerealizované projekty Antonina Porty pro ranĕ barokní přestavbu
hradu Vysoký Chlumec a novostavbu zámku v Sedlčanech (A. P. auf Hoch-Chlumetz.
Seine nicht verwirklichten Projekte zum frühbarocken Umbau der Burg und zum
Neubau des Schlosses Seltschan). — Jan Press: Miloslav Kopřiva.
Architektonické dílo a osobnost (M. K. Architektonisches Werk und Persönlichkeit).
(Bei Doz. Sedlář): Dagmar Mikulicová:
Avantgardní tendence v brnĕnské meziválečné typografii (Avantgardistische Tendenzen in der
Brünner Typographie der Zwischenkriegszeit). — Andrea Katolická: Vladimír
Drápal. — Petra Čevelová: Odĕvní design 90. let 20. století (Der Kleidungsdesign der 90er Jahre
des 20. Jh. s.). — Dušan Mulíček: Karel Klíč, karikaturista a ilustrátor (K. K.
als Karikaturist und Illustrator). — Nadĕžda Matĕjková:
Zviditelnĕní neviditelného, monografie Pavla Nešlehy (Visualisierung des Unsichtbaren, eine Monographie über Pavel Nešleha).
(Bei Prof. Slavíček): Ota Minařík:
Ignác Rohrbach. Oltářní výzdoba poutního kostela sv. Jana Nepomuckého na
Zelené hoře (I. R. Die Altarausstattung derWallfahrtskirche
des hl. Johann Nepomuk am Grünberg). — Martina Vokatá: Reprezentace
umĕním. Náhrobek posledních Redernů ve Frýdlantĕ v Čechách (Repräsentation durch Kunst. Das
Grabmal der letzten von Redern in Friedland/ Böhmen). — Barbora Zlámalová:
Meziválečná tvorba Vĕry Jičínské (Das
Schaffen von Vĕra Jičínská in der Zwischenkriegszeit). — Petr Tomášek:
Malířství 19. století na zámku v Rájci nad Svitavou. Sbĕratelská
činnost Salm-Reifferscheidtů v letech 1836-1890 (Malerei des 19. Jh. s in Schloß Raitz am Zwitte. Die
Sammeltätigkeit der Salm-Reifferscheidt 1836-1890). — Marcela Chmelařová:
Richard Fremund.
(Bei Dr. Hubatová-Vacková) Andrea Pauchová:
František Kysela.
OLOMOUC/ OLMÜTZ
Katedra dĕjin umĕní FF
Univerzity Palackého v Olomouci (Lehrstuhl für Kunstgeschichte der
Palacký-Universität)
Doz. Ivo Hlobil und Doz. Milan Togner haben
sich habilitiert.
Abgeschlossene Dissertationen
(Bei Prof. Togner) Olga Badalíková: Petr
Oriešek, reflexe manýrismu v umĕní (P.
O., die Reflexion des Manierismus in
der Kunst).
Abgeschlossene Magisterarbeiten
(Bei Doz. Hlobil) Hana Vorlová: Svatá Anna
samotřetí v gotické plastice českých zemí, soupis a ikonografie (Die hl. Anna Selbdritt in der
gotischen Plastik der böhmischen Länder, Denkmälerbestand und Ikonographie).
(Bei Doz. Štĕpánek) Jana Konečná:
Balkónové portály pražských barokních paláců (Die Balkonportale der Prager Barockpaläste). — Lenka
Vaňková: Španĕlský dvorský odĕv 2. poloviny 16. a začátku 17. století
a jeho ohlas v českých zemích na obrazech v českých sbírkách (Die spanische Hoftracht der 2. Hälfte
des 16. und zu Anfang des 17. Jh. s und deren Wirkung in den böhmischen
Ländern, im Spiegel der Gemälde in den tschechischen Sammlungen).
(Bei Doz. Švácha) Veronika Mališová: Pomníky
v České republice po roce 1989 (Denkmäler
in der Tschechischen Republik seit 1989). — Jakub Potůček: Architektura
a urbanismus Hradce Králové, 1895-1950 (Architektur
und Urbanistik in Königgrätz 1895-1950).
(Bei Prof. Togner) Jana Waisserová:
Figurální sgrafito 16.-17. století ve Slavonicích (Das figürliche Sgraffito des 16. und 17. Jh. s in Zlabings). —
Vladislava Říhová: Chórové lavice v kostele Nanebevzetí P. Marie na
Velehradĕ (Das Chorgestühl in
der Kirche Mariä Himmelfahrt in Velehrad).
(Bei Doz. Daniel) Hedvika Nejedlá: Náhrobní
tumby na starém židovském hřbitovĕ v Praze (Die Grabsteine auf dem alten jüdischen Friedhof in Prag).
PRAHA/ PRAG
Ústav pro dĕjiny umĕní FF UK (Institut
für Kunstgeschichte der Karls-Universität)
Abgeschlossene Dissertationen
(Bei Prof. Wittlich) Otto Urban: Kontexty a
podoby české dekadence (Kontext und
Formen der tschechischen Dekadenz).
(Bei Prof. Homolka) Michaela Ottová:
Severočeské řezbářství druhé a třetí čtvrtiny 15. století (Die nordböhmische Schnitzkunst im 2.
und 3. Viertel des 15. Jh. s).
(Bei Prof. Horyna) Martin Mádl: Barokní sklo
a jeho sbírka v Národním muzeu (Barockes
Glas und der einschlägige Bestand des Nationalmuseums). — Petra
Nevímová: Výstavba a výzdoba Klementina v letech 1556-1773 (Bau und Ausstattung des Klementinum in den Jahren 1556-1773). —
Daniela Volková: Premonstrátský klášter v Želivĕ. (Das Prämonstratenserkloster in Seelau).
Abgeschlossene Magisterarbeiten
(Bei Prof. Wittlich) Tomáš Winter:
Primitivismus v českém umĕní 1900-39 (Primitivismus
in der tschechischen Kunst 1900-39). — Patrik Šimon: Jindřich
Waldes, sbĕratel (J. W., der Sammler). — Marie
Plačková: Vlivy nĕmeckého prostředí na české umĕní před
první svĕtovou válkou (Die Einflüsse
des deutschen Milieus auf die tschechische Kunst vor dem Ersten Weltkrieg). —
Petra Straková: Muzeum umĕní 20. století (Das Museum der Kunst des 20. Jh. s).
(Bei Dr. Konečný) Blanka Kubíková: Příspĕvek
k typologii samostatného portrétu v závĕsném malířství v Čechách a na
Moravĕ v letech 1500-1620 (Ein Beitrag
zur Typologie des autonomen Porträts in der Malerei Böhmens und Mährens
1500-1620). — Sylva Jandejsková: Pašijový cyklus Karla Škréty (Der Passionszyklus von Karel Škréta).
(Bei Doz. Prahl) Václav Hájek: Interpretace
obrazu »Politizující kovář« od Karla Purkynĕ (Interpretation des Bildes »Der politisierende Schmied« von
Karel Purkynĕ).
(Bei Prof. Homolka) Aleš Mudra: Madony 2.
poloviny 14. století v severních Čechách (Die
Madonnen der 2. Hälfte des 14. Jh. s in Nordböhmen). — Jan Klípa: Mistr
Svatojiřského oltáře (Der Meister
des Georgsaltars).
(Bei Prof. Horyna) Ana Vasič: Filip Kryštof
Bentum a jeho dílo v Čechách. (F. K. B. und sein Werk in Böhmen). —
Miroslav Zíka: Luragova štukatérská dílna, Antonio a Tomaso Soldati (Die Stuckwerkstatt von Lurago,
Antonio und Tomaso Soldati).
(Bei Doz. Royt) Štĕpán Vácha: Projevy
barokního historismu u cisterciáckého řádu v českých zemích (Äußerungen von Historismus im Barock
bei den Zisterziensern in den böhmischen Ländern).
(Bei Dr. Hlaváčková) Veronika Horová:
Poslední soud v nástĕnné malbĕ v Čechách ve 14. století (Das Jüngste Gericht in der
Wandmalerei in Böhmen im 14. Jh.).
(Bei Doz. Kropáček) Zita Tajzichová: Architektura jižní části Nového Mĕsta pražského v renesanci (Die Architektur der südlichen Prager Neustadt in der Renaissance).
BRATISLAVA/ PRESSBURG
Katedra dejiín vytvarného umenia,
Filozofická fakulta Univerzity Komenského (Institut für Kunstgeschichte der
Phil. Fakultät der Komensky-Universität)
Abgeschlossene Dissertationen
Bibiana Pomfyová: Spisská sakrálna
architektúra 13. storocia. K problému pociatkov gotiky na Slovensku (Sakralarchitektur des 13. Jh. s in
der Zips. Zum Problem der Anfänge der Gotik in der Slowakei). — Martin
Vanco: Centrálne stavby Velkomoravskej ríse (Zentralbauten
des Großmährischen Reiches).
Abgeschlossene Magisterarbeiten
(Bei Prof. Bakos) Marta Belohorcová:
Drevorezbárske gotické ukrizovanie na rastlinnom krízi na Slovensku (Holzgeschnitzte Kruzifixe der Gotik
mit lebendem Kreuz in der Slowakei).
(Bei Dr. Bachraty) Lubica Ftoreková: Motív
Tatier v slovenskom vytvarnom umení (Das
Tatragebirge als Motiv in der slowakischen Kunst). — Michaela Gajdosová:
Komunikatívne aspekty detskej vytvarnej tvorby (Kommunikationsaspekte bildender Schöpfungen von Kindern). —
Marie Stracenská: Akt v slovenskej malbe, kresbe a fotografii posledného
desatrocia 20. storocia (Der Akt
in der slowakischen Malerei, Zeichnung und Fotografie des letzten Jahrzehnts
des 20. Jh. s).
(Bei Doz. Borutová) Miroslava Jarosová:
Námestie SNP v Bratislave, historickostavebná analyza priestoru a zástavby (Der Platz des nationalen Aufstands
in Preßburg, bauhistorische Untersuchung des Raumes und der Bebauung). —
Ursula Luptáková: Architekt Klement Silinger (Der Architekt K. S.). — Barbora Pekáriková: Architektonická
tvorba Michala Scheera v Ziline v rokoch 1926-52 (Das architektonische Werk von Michal Scheer in Zilina/
Sillein). — Terézia Volková: Sakrálna architektúra prvej polovice 20.
storocia na Slovensku (Sakralarchitektur
der 1. Hälfte des 20. Jh. s in der Slowakei).
(Bei Dr. Orisko) Michal Simkovic: Kostol a
klástor benediktínov v Rimavskych Janovciach (Kirche und Kloster der Benediktiner in Rimavské Janovce). —
Michal Cajka: Stredoveká sakrálna architektúra na Liptove (Mittelalterliche Sakralarchitektur in der Liptau).
(Bei Prof. Pötzl-Malíková) Vladislav Malast:
Obnova interiéru byvalého jezuitského kostola v Trencíne po poziari 1708 (Ch. Tausch) (Die Wiederherstellung des Inneren der ehem. Jesuitenkirche in
Trencin nach dem Brand von 1708, Ch. Tausch).
(Bei Dr. Smoláková) Jana Sutková: Renesancná
atika západného a stredného Slovenska (Renaissance-Attiken
in der West- und Mittelslowakei).
Neu begonnene Dissertationen
(Bei Doz. Borutová) Alexandra Kusá: Socialisticky
realizmus, podoby a zdroje vo vizuálnych umeniach 50. rokov na Slovensku (Der Sozialistische Realismus,
Gestalt und Quellen in den bildenden Künsten der 50er Jahre in der Slowakei). —
Zuzana Labudová: Stavebná cinnost rodiny Feiglerovcov (Die Bautätigkeit der Familie Feigler).
(Bei Dr. Ciulisová) Zuzana Bauerová: Vyvoj
metodickych prístupov pri restaurovaní vytvarnych diel na Slovensku.
Historické, filozofické a estetické súvislosti súcasnej metodiky ochrany
pamiatok (Die Entwicklung der Restaurierungsmethode
für Bildwerke in der Slowakei. Historische, philosophische und ästhetische
Zusammenhänge der gegenwärtigen denkmalpflegerischen Methodik).
(Bei Mag. Medvecky) Magda Petrincová:
Protestantské vytvarné prejavy 17.-18. stor. na Slovensku (s dorazom na historicky Gemer a susedné regióny) (Protestantische lehrhafte Bildkunst
des 17./ 18. Jh. s in der Slowakei mit Schwerpunkt auf dem historischen Gemer
und benachbarten Regionen).
(Bei Prof. Pötzl-Malíková) Katarína Benová: Maliarstvo prvej polovice 19. storocia v Bratislave (Die Malerei der 1. Hälfte des 19. Jh. s in Preßburg).
PILISCSABA-KLOTILDLIGET
Lehrstuhl für Kunstgeschichte der Kath.
Pázmány-Péter-Universität
Abgeschlossene Diplomarbeiten
(Bei dr. Zwickl, Budapest) Bernadette Kovács:
Die Tätigkeit von Károly Kernstok vor der Gründung der Gruppe »Die Acht«. —
Katalin Kohári: Ein vergessener Künstler. Imre Simay, Bildhauer, Maler und
Graphiker. — Andrea Huszár-Töreky: Die Geschichte des Wettbewerbs für das
Grabmal des Dichters Endre Ady. — Judit Józsa: Die Serie »Tanzende Bauern« von
Miklós Izsó.
Die folgende Zusammenstellung wird Prof.
emer. Avraham Ronen, Tel Aviv, verdankt. Die Namen der supervisors sind in
Klammern angegeben. Die Dissertationen sind üblicherweise in hebräischer
Sprache verfaßt mit englischen Zusammenfassungen. Sie sind über die Universität
zugänglich.
JERUSALEM
Department of Art History, Institute of
Languages, Literatures & Arts, The Faculty of Humanities, The Hebrew
University of Jerusalem
Ph. D. theses (abgeschlossen)
Igor Aronov: Kandinsky's Russian Sources (Prof.
Amishai-Maisels, Prof. Timenchik). — Noemi Cassuto: The North Italian Synagogue
from the Organization of the Communities in the Ghetto during the Renaissance
to the Period of the Emancipation in the 19th Century (Prof. Posčq). — Andreina
Contessa: The Illumination of the Ripoll Bible of the Vatican Library, Vat.
Lat. 5729. The Style of the Manuscript and an Iconographic Research on the
Pentateuch (Prof. Narkiss). — Matilda Meir: The Image of the Woman in the
Illuminated Manuscripts in the Byzantine Macedonian Renaissance (867-1056) (Prof. Revel-Neher). — Sarit
Shalev-Eyni: The Tripartite Mahzor (Prof. Narkiss). — Daniel Unger: Guercino
and his Time (Dr. Freedman).
M. A. theses (abgeschlossen)
Natalie Altshul: The Meaning of the Mirror
in Major Franco-Flemish Works of the Renaissance (Dr. Freedman). — Ella Leitner
Arazi: Illustrations in Hebrew Alphabet books from the Genizah in Cairo.
Between Tradition and Innovation (Prof. Sabar). — Lea Barkai: Picasso and the
Dance, 1900-25 (Prof. Amishai-Maisels). — Mira Dror: Amenhophis IV and Akhnaton
in the Tombs at Thebes (Prof. Shirun). — Sara Leshem: The Old-Age Style in
Renaissance and Baroque Art (Prof. Posčq). — Oren Migdal: The Development of
the Man of Sorrows in 14th Century Italian Sculpture (Prof. Poseq). — Tamar
Shadmi: Binders for Torah Scrolls from Bohemia and Moravia: The Special
Characteristics of the Local Wimpel (Prof. Sabar). — Mar-509 510 cela Szekely:
Kourotrophos. The Nourishing Deity in Ancient Greek Art (Dr. Talgam, Dr.
Rozenberg). — Guy Tal: The Image of the Devil in Italian Renaissance Art.
Formal Analysis, Typology and Synthesis (Prof. Posčq). — Osnat
Yehoudayan-Weinfeld: Physical Distortions in Bronze Statuettes of the Hellenistic
and Roman Periods. Baboon-Headed Figures from the Collection of Dr. Borovsky
and a Pygmy from the Collection of Gideon Sasson (Dr. Talgam).
Ph. D. theses (neu begonnen)
David Amit: The Synagogues of Hurvat Ma on
and Hurvat Anim and the Jewish Settlements in Southern Judea (Profs. Foerster,
Schwartz). — Judith Gartner: The Sculptural Decoration of Roman Public
Buildings from the time of Augustus to the end of the 2nd Century CE in Asia
Minor, Syria and Israel (Profs. Netzer, Foerster). — Haim Grossman: The Image
of the Soldier and the Army in Israeli Commercial Art 1948-75 (Prof. Tsabar). —
Oren Gutfeld, The Cardo and the Nea Church on the Southwest Hill of Jerusalem.
A Stratographic and Architectural Analysis (Prof. Tsafrir).
M. A. theses (neu begonnen)
Pnina Arad, Representations of War and
Battle in Crusader Manuscripts Illuminated in Acre (Prof. Kedar, Prof.
Kuehnel). — Amitai Mendlesohn: Christian Symbols in Israeli Art (Dr. Ankori). —
Talia Rapaport: Litvinowsky's Unknown Mystical Aspects (Dr. Ankori). — Ilona
Shteinman: Two Illuminated Haggadot of the 16th Century from Greece (Dr.
Cohen-Mushlin). — Michal Sternthal: The Regensburg Pentateuch (Prof. Narkiss).
— Ilana Tenenbaum: Israeli Video Art (Dr. Ankori). — Yael Young: Statuettes of
Women from the Hellenistic Period in the Collection of the Israel Museum (Dr.
Talgam, Dr. Rozenberg).
TEL AVIV
Art History Department, The Yolanda and
David Katz Faculty of the Arts, Tel Aviv University
Ph. D. theses (neu begonnen)
Adi Efaal: The Domestic Image in the
Paintings of Edouard Vuillard. Spatial and communal coesiveness (Prof. Balass).
— Shulamit Goretzky-Federman: The reflection of the Classical Heritage in
Venus' Images in the Art of the 19th Century (Prof. Ovadia, Dr. Meyer). — Nava
Sadeh, Mythological Scenes in Mosaics in Israel in the Roman and Early
Byzantine periods. Contexts and Meanings (Prof. Ovadia). — Einat Segal: The
Sculptural Programs of the East Gallery of the Cloister of St. Trophîme in
Arles (Prof. Kenaan-Kedar).
M. A. theses (neu begonnen)
Elda Raviv: The Impact of Eleanor of Aquitaine on Early Gothic Sculptural Programs from St. Denis and Chartres to Le Mans and Angers (Prof. Kenaan-Kedar). — Nirit Kalifa Shalev: David Ohennessian and the foundation of Armenian Ceramics in Jerusalem (Prof. Kenaan-Kedar). — Ruth Weiner, The Liberal Arts Mural in the Cathedral of Le Puy and its role in monumental art of Central France in the 15th Century (Prof. Kenaan-Kedar).
NORDAMERIKANISCHE DISSERTATIONEN
Nach: ProQuest Digital Dissertations http://wwwlib.umi.com/dissertations/search/basic. Inhaltsangaben und eine kurze Zusammenfassung der Dissertationen stehen kostenlos im Internet zur Verfügung. Die Beschaffung des Volltextes ist kostenpflichtig. Ein Ausdruck kann als email, Fax oder Kopie über die oben genannte Adresse bestellt werden. a)
a) Ältere Kunstgeschichte
Bleeke, Marian Annis: Situating
Sheelanagigs. The female body and social significance in Romanesque sculpture (England,
France, Ireland). University of Chicago 2001
Burger Robin, Simone Carol: Late Ramesside
threedimensional royal statuary, from Ramesses IV through Ramesses XI. Johns
Hopkins University 2002
Cohen, Brian Michael: Saint Mary Magdalen as
a cultural symbol in the Low Countries, c. 1450-1530. State University of New
York, Binghampton 2001
Easton, Martha: The making of the Huntington
Library Legenda aurea and the meanings of martyrdom. New York University 2001
Gessert, Genevieve Simandl: Urban spaces,
public decoration, and civic identity in ancient Ostia. Yale University 2001
Houston, Kerr Nicholas: Painted images and
the Clarisse, 1212-1320. Aspects of production and reception, and the idea of a
nunnery art (Italy). Yale University 2001
Janitzky, Peter: The wall paintings of the
thirteenth century in the Church of the Saviour at Zica (Serbia). University of
California, Berkeley 2001
Kabala, Irene: Medieval decorated
refectories in France, Italy and England until 1250. Johns Hopkins University
2002
Kousser, Rachel: Sensual power. A warrior
Aphrodite in Greek and Roman sculpture. New York University 2001
Mathieu, James Roland: Assessing political
complexity in medieval England. An analysis of royal buildings and strategies.
University of Pennsylvania 2001
Ostman, Rae Ellen Marie: The city and
complexity. Pottery production in Volterra, Italy from the Hellenistic Etruscan
period to the late Roman and late Antique period. New York University 2002
Parsoneault, Catherine Jean: The
Montepellier Codex. Royal influence and musical taste in late thirteenthcentury
Paris. University of Texas, Austin 2001
Ragan, Elizabeth Anne: Coastal archaeology
and complex societies. The maritime cultural landscape of south Argyll (Scotland).
University of Pennsylvania 2001
Robinson, Betsey Ann: Fountains and the
culture of water at Roman Corinth. University of Pennsylvania 2001
Rose, Marice E.: The iconography of female
adornment in late antiquity. Rutgers State University of New Jersey, New
Brunswick 2001
Sanders, Helen Marina: Sculptural patronage
and the houses of late Hellenistic Delos. University of Michigan 2001
Shaneyfelt, Sheri Francis: The Perugian
painter Giannicola di Paolo. Documented and secure works. Indiana University
2001
Troncelliti, Latifah: Cennino Cennini and
Leon Battista Alberti. Two parallel realities in the Italian Quattrocento.
University of Oregon 2001
Yildirim, Bahadir Halil: The reliefs from
the Roman civil basilica at Aphrodisias in Caria. New York University 2001
b) Neuere Kunstgeschichte
Alexander, John Hughes: The Collegio Borromeo.
A study of Borromeo's early patronage and Tibaldi's early architecture.
University of Virginia 2001
Ashjian, Cristina Maria: Representing
'scenes et types'. Wassily Kandinsky in Tunisia, 1904-1905. Northwestern
University 2001
Baker, George Thomas: Lost objects. Francis
Picabia and Dada in Paris, 1919-1924. Columbia University 2001
Barnwell, Andrea Denise: The complexities of
blackness. Black Britain, black art, and the case of Ingrid Pollard and Sokari
Douglas Camp. Duke University 2001
Baskind, Samantha: Lost in America? Raphael
Soyer and the search for modern Jewish art. University of North Carolina,
Chapel Hill 2001
Bate, Heidi Eberhardt: The measures of men.
Virtue and the arts in the civic imagery of sixteenthcentury Nuremberg.
University of California, Berkeley 2001
Beinek, Justyna Anna: The album in the age
of Russian and Polish Romanticism. Memory, nation, authorship. Harvard
University 2001
Bender, Gretchen Holtzapple: Interior/ landscape.
Placelessness and the gendered gaze in the work of Caspar David Friedrich. Bryn
Mawr College 2001
Berbet, Theresa Maria: Emile Friant's 'Sweet
Thoughts'. An image of consolation in the oeuvre of a naturalist painter.
University of Louisville 2001
Bresler, Ross Michael Rauh: Between ancient
and all'antica. The imitation of Roman coins in the Renaissance (Giovanni da
Cavino). Boston University 2002
Brody, Jeanne: The painter as history. The
evolution of Gustave Courbet's exhibition strategy. University of Delaware 2001
Bubenik, Andrea Sophia: Art, astrology and
astronomy at the Imperial court of Rudolf II (1576-1612). Queen's University of Kingston (Canada) 2001
Cadge, Catie Anne: Paradigms of collecting
from ethnography to documenting the individual artists. Grace Nicholson and the
art history of Native Northwestern California basketry during the Arts and
Crafts period, 1880-1930. University of Victoria (Canada) 2001
Candelaria, Lorenzo Francisco: The 'rosary
cantorales' of early modern Spain. An interdisciplinary study in attribution.
Yale University 2001
Catterson-Silver, Lynn: Donatello's legacy
and the training of Michelangelo. Sculptural practice in Quattrocento Florence.
Columbia University 2002
Collins, Paul Edward: William Hogarth's
'curve of beauty' mirrored in Henry Fielding's 'Tom Jones'. An eighteenth
century aesthetic equation. St. John's University, New York 2001
Coughlin, Maura Ann: The artistic origins of
the French peasantpainter, Jean-Francois Millet. Between Normandy and Barbizon.
New York University 2001
Cox, Lorraine Morales: The embrace of the
fragmented self. The art of Joerg Immendorff. University of Illinois,
Urbana-Champaign 2001
Crane, Sheila Ruth: Reconstructing place.
Transformations of the Vieux-Port of Marseille, 1939-1959. Northwestern
University 2001
Daniel, Margaret R.: Exhibiting difference.
Aesthetic politics and lesbian of color film and video curatorial practice.
University of California, Santa Cruz 2001
Davis Allen, Lisa Claire: The color of
nationalism. The use of formal elements as a vehicle for projecting national
identities in early modern European maps and paintings. University of Texas
2001
D'Elia, Una Roman: Titian's Christian
poetics. Harvard University 2001
Denaci, Mark Edward: The thick of things.
Framing, fetishism, and the work of art history (Jacques Derrida, Mieke Bal,
The Netherlands, Pablo Picasso, France, James Rosenquist). University of
Rochester 2001
Dikovitskaya, Margarita: From art history to
visual culture. The study of the visual after the cultural turn. Columbia
University 2001
Dorsch, Michael Scott: Strong women, fallen
men. French commemorative sculpture following the Franco-Prussian War,
1870-1880 (Auguste Rodin, Alexandre Falguiere, Louis Barrias, Marius Jean
Antonin Mercie). New York University 2001
Duncan, Sally Anne: Paul J. Sachs and the
institutionalization of museum culture between the World Wars. Tufts University
2001
Dutta, Arindam: Designing the present. The
Cole Circle, and the architecture of (an)
imperial bureaucracy, 1851-1901 (Great Britain). Princeton University 2001
Ervasti, Jean Truitt: Alfred Lichtwark.
Educating the ability to contemplate works of art. Columbia University Teachers
College 2001
Fineman, Mia: Ecce homo prostheticus.
Technology and the new photography in Weimar Germany. Yale University 2001
Fiorenza, Giancarlo G.: Studies in Dosso
Dossi's pictorial language. Painting and humanist culture in Ferrara under Duke
Alfonso I d'Este. Johns Hopkins University 2001
Flaten, Arne Robert: Niccolo Fiorentino and
the image of humanism. Portrait medals in late quattrocentro Florence. Indiana
University 2001
Funkenstein, Susan Laikin: Figurations of
women dancers in Weimar Germany (1918-1933).
Hannah Hoech, Otto Dix, and Paul Klee. University of Wisconsin, Madison 2001
Gallen-Kallela-Siren, Janne Jorma: Axel
Gallen and the constructed nation. Art and nationalism in young Finland,
1880-1900. New York University 2001
Garofalo, Emilia: The female temper of a
Spanish generation. Cultural images of women in the Second Republic (1931-1939). University of Pittsburgh
2001
Germundson, Curt Robert: Kurt Schwitters in
Hanover. Investigation of a cultural environment. University of Iowa 2001
Glass, Angela G.: Regarding strategies.
Salvador Dali, modernism and paranoid vision. City University of New York 2001
Goodman, Eleanor Hope: Royal piety. Faith,
religious politics, and the experience of art at the Convent of the Descalzas
Reales in Madrid. New York University 2001
Greenberg, Susan Deborah: Corot and the ambitions
of French landscape painting, 1820-1840. Yale University 2001
Hershberger, Andrew E.: Cinema of stills.
Minor White's theory of sequential photography. Princeton University 2001
Hessel, Patricia Moore: Manuel Neri.
Transformations of the classical and modernist figure. University of Louisville
2001
Hillings, Valerie Lynn: Experimental
artists' groups in Europe, 1951-1968. Abstraction, interaction and
internationalism. New York University 2002
Huppert, Ann Claire: The archaeology of
Baldassarre Peruzzi's architectural drawings. University of Virginia 2001
Irbouh, Hamid: Art in the service of
colonialism. French art education in Morocco, 1912-1956. State University of
New York, Binghampton 2001
James, Jason Carl: Imagining restoration.
Loss and redemption in an eastern German cityscape. University of California,
San Diego 2001
Jasinowski, Rosemary Wright: Morimura
Yasumasa. A crosscultural study in the selfportrait, selfdefinition and the
creative process. New York University 2002
Jennings, Catherine Marie: Paintings and the
nuanced gaze. Studies in the application, complication, and limitations of
psychoanalytic gaze theory (Titian, Italy, John Singleton Copley, Mary
Cassatt). Texas Tech University 2001
Johnson, Melissa Ann: 'On the strength of my
imagination'. Visions of Weimar culture in the scrapbook of Hannah Hoech. Bryn
Mawr College 2001
Kavky, Samantha Beth: Authoring the
unconscious. Freudian structures in the art of Max Ernst. University of
Pennsylvania 2001
Kiefer, Lisa Dean: The iconography of the
Visitation in Italian Renaissance art. Case Western Reserve University 2001
Kihara, Elizabeth Ann: Alfred Stevens (1823-1906) and 'la femme seule'.
Constructions of modernity in French art of the later nineteenth century. New
York University 2002
Kincaid, Andrew Fann: Holding the centre.
The geographies of consolidation and the emergence of postcolonial Dublin (Ireland).
University of Minnesota 2002
Kinukawa, Tomomi: Art competes with nature.
Maria Sibylla Merian (1647-1717) and
the culture of natural history. University of Wisconsin, Madison 2001
Kligerman, Eric Matthew: Scenes of
witnessing in Paul Celan, Anselm Kiefer and Daniel Libeskind. University of
Michigan 2001
Marchesano, Louis : A social history of
representing antiquities. Civility and antiquarianism in Rome, 1550-1700 (Francesco
Alighieri, Giovanni Pietro Bellori, Filippo Buonarroti, Francesco Angeloni).
Cornell University 2001
Mehring, Christine: Blinky Palermo painting
in Germany and America, 1964-1977 (Peter Heisterkamp). Harvard University 2001
Mochizuki, Mia Margaret: The Reformation of
devotional art and the Great Church in Haarlem. Yale University 2001
Nourizadeh, Masoud: Edvard Munch and Maurice
Maeterlinck. A comparative study of form and idea. Ohio University 2001
Paret, Paul: The crisis of sculpture in
Weimar Germany. Rudolph Belling, the Bauhaus, Naum Gabo. Princeton University
2001
Pellegrini, David Robert: Avantgarde East
and West. A comparison of prewar German and Japanese avantgarde art and performance.
University of Pittsburgh 2001
Pergam, Elizabeth Ariana: 'Waking the soul'.
The Manchester Art Treasures Exhibition of 1857 and the state of the arts in
mid-Victorian Britain. New York University 2001
Petersen, Stephen Bruce: Space and the Space
Age in postwar European art. Lucio Fontana, Yves Klein, and their
contemporaries. University of Texas, Austin 2001
Pissarro, Joachim Stephane Isaac:
Individualism and intersubjectivity in modernism. Two case studies of artistic
interchanges: Camille Pissarro (1830-1903)
and Paul Cezanne (1839-1906); Robert
Rauschenberg (1925-) and Jasper Johns
(1930-). University of Texas, Austin
2001
Pursell, Timothy Sean: Art on the edges,
Hagen, 1890-1922. Art and society in a German industrial town (Karl Ernst
Osthaus). Indiana University 2001
Rando, Flavia: Generations of lesbian self
representation and the construction of desire (Romaine Brooks). Rutgers State
University of New Jersey, New Brunswick 2001
Riggs, Ann Keck-Henderson: Visual arts and
architecture in ecumenical statements of the Holy See and the World Council of
Churches, 1982Ń 1997. Issues of theological anthropology. The Catholic
University of America 2001
Schmitz, Johanna Lee: Desire for
authenticity. Millennial reconstructions of Shakespeare's theatre. University
of California, Davis 2001
Scott, Felicy Dale Elliston: Functionalism's
discontent. Bernard Rudofsky's other architecture. Princeton University 2001
Shields, Mary Kathryn: Masking in photography
and the art of Diane Arbus and Ralph Eugene Meatyard. Virginia Commonwealth
University 2001
Shin, Junhyoung Michael-Maria: Materialized
vision as a meditative exemplar. Albrecht Duerer's 'Marienleben' (1502-1511). University of Wisconsin,
Madison 2001
Smith, Angele Patricia: Mapping cultural and
archaeological meanings. Representing landscapes and pasts in 19th century
Ireland. University of Massachusetts, Amherst 2001
Soutter, Lucy: The visual idea. Photography
in conceptual art. Yale University 2001
Spieth, Darius Alexander: The printed work
of Vivant Denon (1747-1825).
University of Illinois, Urbana-Champaign 2001
Thielemans, Veerle Maria: The afterlife of
images. Memory and painting in midnineteenth century France (Hippolyte Taine,
Horace Vernet, Horace Lecoq de Boisbaudran, Alphonse Legros, Edouard Manet).
Johns Hopkins University 2001
Tucker, Rebecca Joslyn: The art of living
nobly. The patronage of Prince Fredrik Hendrik (1584-1647) at the palace of Honselaarsdijk during the Dutch
Republic. New York University 2002
Vander Ploeg Fallon, Melinda Kay: Gerard de
Lairesse (1640-1711) and the audience
for the antyk. University of Delaware 2001
Vermeylen, Filip Richard: Art and economics.
The Antwerp art market of the sixteenth century. Columbia University 2002
Vick, Susan Jean: Pictura and the concept of
the cognate arts in Florence. Rutgers State University of New Jersey, New
Brunswick 2001
Veronesi, Gene Peter: Domenico Morone and
the decoration of the Sagramoso Library in the Church of San Bernardino, Verona.
Case Western Reserve University 2001
Weinstein, Katherine Leigh: Subversive
women. Female performing artists in Zurich Dada. Tufts University 2001
Wilder, Dorothy: Regenerative forms in
contemporary art. A return to nature (Mel Chin, Andy Goldsworthy, Anish Kapoor,
Wolfgang Laib, Ana Mendieta, England, India, Germany, Cuba). New York
University 2001
Yonan, Michael Elia: Embodying the
Empress-Widow. Maria Theresia and the arts at Schoenbrunn, 1765-1780.
University of North Carolina, Chapel Hill 2001
c) Kunst Nord- und Lateinamerikas
Abeles, Anne L.: James Brooks. From Dallas
to the New York school (Texas). City University of New York 2001
Abell, Mary Ellen: Edwin Dickinson. His
work, teaching and critical reception. City University of New York 2001
Adamson, Glenn D: Craft paradigms. The
studio craft movement and the avantgarde, 1966-1972. Yale University 2001
Amundson, Jhennifer A.: Thomas Ustick
Walter's 'Lectures on Architecture'. University of Delaware 2001
Archey, Richard Louis: Politics in art. The example
of the American frontier artist George Caleb Bingham. California State
University, Dominguez Hills 2001
Aspinwall, Jane Lee: 'Like a bird before a
snake'. Nineteenthcentury portraiture and its relationship to the American
daguerreotype. University of Missouri, Kansas City 2001
Breidenbach, Paul Andrew: Art patronage and
class identity in a border city. Cincinnati, 1828-1872 (Ohio). University of
California, San Diego 2001
Butler, Sara Amelia: Constructing New Deal
America. Public art and architecture and institutional legitimacy. University
of Virginia 2001
Carso, Kerry Dean: Reading the Gothic.
American art and architecture in the age of romantic literature, 1800-1850.
Boston University 2001
Corwin, Sharon Lynn: Selling 'America'.
Precisionism and the rhetoric of industry, 1916-1939 (Charles Sheeler, Georgia
O'Keefe). University of California, Berkeley 2001
Cutler, Jody B.: The paintings of Robert
Colescott. Race matters, art and audience. State University of New York, Stony
Brook 2001
D'Ambrosio, Paul S.: Ralph Fasanella (1914-1997). The making of a
workingclass artist. Boston University 2001
DeLue, Rachael Ziady: George Inness.
Landscape, representation, and the struggle of vision. Johns Hopkins University
2001
Denenberg, Thomas Andrew: Consumed by the
past. Wallace Nutting and the invention of Old America. Boston University 2002
Duffy, Henry J.: New York City collections,
1865-1895. Rutgers State University of New Jersey, New Brunswick 2001
Entin, Joseph Bunce: Sensational modernism.
Disfigured bodies and aesthetic astonishment in modern American literature and
photography. Yale University 2001
Frazer, Susan Hume: D. Wiley Anderson,
Virginia architect (1864-1940).
Virginia Commonwealth University 2001
Ganis, William V.: Iconophiliac. Andy
Warhol's photographic serialities. State University of New York, Stony Brook
2001
Gaudio, Michael: America in the making. John
White and the ethnographic image, 1585-1890. Stanford University 2001
Hartel, Herbert R.: The art and life of
Raymond Jonson (1891-1982).
Concerning the spiritual in American abstract art. City University of New York
2002
Hood, Nicole Gilpin: Theme and form. The
image of woman in the art of Elizabeth Catlett. University of Michigan 2001
Hunchuck, Suzanne Holyck: A house like no
other. An architectural and social history of the Ukrainian Labour Temple, 523
Arlington Avenue, Ottawa, 1923-1967. Carleton University (Canada) 2001
Lane, Grayson Harris: Duncan Phillips and
the Phillips Memorial Gallery. A patron and museum in formation, 1918-1940.
Boston University 2002
Levinson, Drunell L.: A descriptive study of
art at the margins. The work of Jennifer Kotter, Ray Materson and Bonnie
Peterson. New York University 2001
Limbos-Bomberg, Nathalie: The ideal and the
pragmatic. The National Gallery of Canada's Biennial Exhibitions of Canadian
Art, 1953-1968. Carleton University (Canada) 2001
Massey, Jonathan Rider: Architecture and
involution. Claude Bragdon's projective ornament. Princeton University 2001
Mauldin, Barbara Barieau: Images of the
Christ Child. Devotions and iconography in Europe and New Spain. University of
New Mexico 2001
Meyerowitz, Lisa Ann: Exhibiting equality.
Blackrun museums and galleries in 1970s New York. University of Chicago 2001
Morris, Katherine L.: Picturing sovereignty.
Land and identity in contemporary Native American art. Columbia University 2001
Nelson, Amy: A stylistic analysis of
American Indian portrait photography in Oklahoma, 1869-1904 (William S. Soule,
John K. Hillers, William E. Irwin). University of North Texas 2001
Nelson, Louis Perry: The material word.
Anglican visual culture in colonial South Carolina. University of Delaware 2001
Peltomaki, Kirsi: Strategies of
institutional critique in recent American art. University of Rochester 2002
Reid, Roberta Anne: Bodies of water. Winslow
Homer's paintings of the sea/ shore: Stanford University 2001
Rennella, Mark: The Boston cosmopolitans.
Artists and intellectuals encounter the world, 1865-1914. Brandeis University
2001
Rohan, Timothy M.: Architecture in the age
of alienation. Paul Rudolph's postwar academic buildings. Harvard University
2001
Schwain, Kristin Ann: Figuring belief.
American art and modern religious experience. Stanford University 2001
Smith, Joel Matthew: New York modernism and
the cityscapes of Alfred Stieglitz, 1927-1937. Princeton University 2001
Sweney, Michael Allan: Spirit of the
Southwest. Robert Henri's Santa Fe portraits, 1916-1922 (New Mexico).
University of Missouri, Kansas City 2001
Tsui, Aileen Dashi: Nothing of substance.
Aestheticism, modernism, and strategic duplicity in the paintings of James
McNeill Whistler. Harvard University 2001
Vattay, Sharon Lynn: Defining 'architect' in
nineteenthcentury Toronto. The practices of John George Howard and Thomas Young.
University of Toronto (Canada) 2001
Vure, Sarah: Independent American artists.
The post-Armory Show careers of Robert Henri and John Sloan. Boston University
2002
White, Janet Ruth: The intersection of
sociocultural structures and the built environment in three nineteenthcentury
utopian communities. The Bethel Colony, the Bishop Hill Colony, and the Oneida
Community (Missouri, Illinois, New York). Cornell University 2001
Wilcox-Titus, Catherine A.: Skin deep.
Authorship, authenticity, and picturing a self in American art since the 1970s.
Boston University 2002
Williams, Stephanie Ann: Art museums and
high culture in the life of the middleclass black American. University of
Pennsylvania 2001
Wilson, Kristina Forsyth: Exhibiting modern
times. American modernism, popular culture, and the art exhibit, 1925-1935.
Yale University 2001
Wong, Janay Jadine: The early work of
Everett Shinn (1897-1911). Art at the
crossroads of a new century (New York). City University of New York 2002
Zipf, Catherine Welcome: Professional
pursuits. Career opportunities for women in the American Arts
and Crafts Movement. University of Virginia 2001
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